Akt Förlag publishes Adventskalender Konst & litteratur, a unique advent calendar for art and literature enthusiasts with a fantastic collection of Swedish writers and artists. 24 contemporary artists – writers, visual artists, researchers, historians, musicians, poets and actors – have freely interpreted the theme of expectation in the broadest sense. Their contributions can be found in 24 pages, which every day until Christmas give an insight into a person's world of ideas and thoughts – in short meetings when you open today's page at the front of the book.
Contributing artists: Mamma Andersson, Erik Ehn, Pia Gradvall, Anna Hallberg, Cecilia Hansson, Staffan Hellstrand, Saadeldin Ibrahim, Meta Isæus-Berlin, Jonas Karlsson, Harald Lyth, Maria Miesenberger, Fredrik Moberg, Martina Müntzing, Kayo Mpoyi, Cilla Naumann, Anna -Karin Palm, Kristian Petri, Karolina Ramqvist, Iiris Viljanen, Sofia Viol, Magnus Västerbro, Martin Wickström, Jenny Wiklund and Stina Wirsén.
Akt Förlag was founded by Anna Tribelhorn and Margareta Petersson 2022.
For 20 years, Sydväst has researched and shaped contemporary landscape architecture. In this book, we tell you about what we learned along the way. Here is a selection of our projects accompanied by the thoughts that shaped them. A book about the opportunities and challenges as a landscape architect, but also a book about the desire to draw and the importance of playing with words and talking about Swedish pastry.
The core of this book is the built reality: places, squares, landscapes, farms, parks. But here is also the search itself, the way there. It is our hope that this search will be so visible that you as a reader can be part of the story that is each project, be part of the questions that we wanted to ask and that became a landscape architecture where the answers, the many answers, could take place.
Editor: Dan Hallemar
Project group: Lina Dahlström, Niklas Bosrup, Per Andersson, Åsa von Malortie
Photos: Werner Nystrand
I use typefaces in my everyday business – i pick them, i color them, make them tilt, put them up side down, make them larger than life, make them glow, make them walk, make them talk, make them silent, make them scream. Here is a typeface under development, see my instagram for more 👉🏼 annatribelhorn
My idea for this typeface comes from my background as a member of a family of pharmacists. In the old days the pharmacists mixed medicine themselves at the pharmacy and stored the different substances in glass bottles. I have seen these bottles all my life but recently I started to look at the labels, which to my surprise, are all hand drawn. All in the same typeface. So from that I got the idea to restore and give this typeface a digital life. 🎺🍀😊
New work! New issue of Filmrutan: Most of you will recognise our cover this time – the image from the movie poster of Le fabuleux destin d'Amélie Poulain from 2001. This issue focuses on feel-good-movies and shares plenty of tips of some of the best in the genre. We have a long article on Dogma, on how it all started and where it is today. We feature Henry King, a somewhat forgotten but very productive director who has more than a 100 movies on his resume. Janine reports from a beautiful movie theatre in Örebro and there is an interview with Uje Brandelius, now featured in his movie Spring, Uje spring. Don’t miss out! At a Press Stop close to you. ✨ 📽
I use typefaces in my everyday business – i pick them, i color them, make them tilt, put them up side down, make them larger than life, make them glow, make them walk, make them talk, make them silent, make them scream. Here is a typeface under development, see my instagram for more 👉🏼 annatribelhorn
My idea for this typeface comes from my background as a member of a family of pharmacists. In the old days the pharmacists mixed medicine themselves at the pharmacy and stored the different substances in glass bottles. I have seen these bottles all my life but recently I started to look at the labels, which to my surprise, are all hand drawn. All in the same typeface. So from that I got the idea to restore and give this typeface a digital life. 🎺🍀😊
A touring exhibition about the film director Mai Zetterling.
I use typefaces in my everyday business – i pick them, i color them, make them tilt, put them up side down, make them larger than life, make them glow, make them walk, make them talk, make them silent, make them scream. Here is a typeface under development, see my instagram for more 👉🏼 anna tribelhorn
My idea for this typeface comes from my background as a member of a family of pharmacists. In the old days the pharmacists mixed medicine themselves at the pharmacy and stored the different substances in glass bottles. I have seen these bottles all my life but recently I started to look at the labels, which to my surprise, are all hand drawn. All in the same typeface. So from that I got the idea to restore and give this typeface a digital life. 🎺⏳🍀😊
Read about film for the young generation through time, an exclusive interview with Alfonso Cuarón – the director behind Roma (rewarded a Golden Lion in Venice 2018), the magic of film music and thrillers, the story about a now forgotten film actress Signe Hasso, the filmfestival in Venice and more. Producer Sveriges Förenade Filmstudios, graphic design by me. ✨ 📽
Filmrutan nr 1 2020
New work! New issue of Filmrutan: On the cover – Little Women, a 150 year old story about four sisters and their struggle that has been filmed, made as opera, ballet and even as japanese anime. Now directed by fantastic Greta Gerwig who has given the story a contemporary timeliness – read the story about the author Louisa May Alcott. Jo Widerberg writes about the art of depicting love on film, Berlinale 2020 and Göteborgs film festival are both covered and we remember one of Swedens shooting star Tutta Rolf. Don’t miss out! At a Press Stop close to you. ✨ 📽
I use typefaces in my everyday business – i pick them, i color them, make them tilt, put them up side down, make them larger than life, make them glow, make them walk, make them talk, make them silent, make them scream. Here is a typeface under development, see my instagram for more 👉🏼 annatribelhorn
My idea for this typeface comes from my background as a member of a family of pharmacists. In the old days the pharmacists mixed medicine themselves at the pharmacy and stored the different substances in glass bottles. I have seen these bottles all my life but recently I started to look at the labels, which to my surprise, are all hand drawn. All in the same typeface. So from that I got the idea to restore and give this typeface a digital life. 🎺⏳🍀😊
Choosing the best place for eating out now got even easier. This book opens up to over 25 restaurants with the most interesting interior design in Sweden. Plentiful with photographs signed by the best architect photographers available, plans for those who are really interested and a guide to the food served at each venue. A must-have for everyone interested in eating out. Available in all stores. Editor Dan Hallemar, graphic design by me, published by Arkitektur Förlag and printed by Göteborgstryckeriet. 🍝 🍸🍧✌🏼✨
Two guides to architectural highlights in Stockholm, printed and ready to join you on your stroll around the city. We show both the icons as well as some stunning interiors. The maps are produced by Arkitektur Förlag, content by Wingårdhs arkitekter, design by me.
I have made more than fifty covers for Cinemateket. Here are a few of my favorites.
I use typefaces in my everyday business – i pick them, i color them, make them tilt, put them up side down, make them larger than life, make them glow, make them walk, make them talk, make them silent, make them scream. Here is a typeface under development, see my instagram for more 👉🏼 anna tribelhorn
My idea for this typeface comes from my background as a member of a family of pharmacists. In the old days the pharmacists mixed medicine themselves at the pharmacy and stored the different substances in glass bottles. I have seen these bottles all my life but recently I started to look at the labels, which to my surprise, are all hand drawn. All in the same typeface. So from that I got the idea to restore and give this typeface a digital life. 🎺⏳🍀😊
A unique collection of 100 swedish cinematographers since the beginning of film. The book mixes short biographies with beautiful photographs – a perfect way to learn who filmed what movie! Editor Bengt Forslund, graphic design by me and printed by Göteborgstryckeriet. 🎥✌🏼✨
An identity for a new brand introducing japanese matcha tea to the Swedish market. Handpicked, deveined and destemmed leaves are dried and ground to a fine green powder. More package design will follow shortly. Visit intokumatcha.com to read more.
The exhibition Yayoi Kusama In Infinity includes an installation of Yellowbird at the main entrance of the museum, a timeline over Kusamas life and signs for the artwork. The exhibition took place at the Moderna Museet in Stockholm in summer 2016. Curator: Jo Widoff, graphic design by me. ⚪️⚫️⚪️⚫️
New identity for our photo studio in Stockholm, PLAY STUDIO. Maybe the most awesome studio ever, visit at play-studio.se or at Vanadisvägen 24. Great place to work and hang out. ✌🏼📷☕️🎬
The project on Swedish photography A Way of Life involved a catalogue, printed and digital ads, large-sized banners, introduction wall and orientation signage at the museums. The exhibition took first place at the Moderna Museet in Malmö 2014 and move to the Moderna Museet in Stockholm 2015. Curator: Anna Tellgren, graphic design by me.
make them tilt, put them up side down, make them larger than life, make them glow, make them walk, make them talk, make them silent, make them scream. Here is a typeface under development, see my instagram for more 👉🏼 anna tribelhorn
My idea for this typeface comes from my background as a member of a family of pharmacists. In the old days the pharmacists mixed medicine themselves at the pharmacy and stored the different substances in glass bottles. I have seen these bottles all my life but recently I started to look at the labels, which to my surprise, are all hand drawn. All in the same typeface. So from that I got the idea to restore and give this typeface a digital life. 🎺⏳🍀😊
A touring exhibition about the film director Ingmar Bergman.
Fall issue 2018 of Filmrutan: The story of Liv Ullman – a vital 80 years old with an incredible talent, a beautiful corporation between Agnès Varda and artist JR, film from Nepal, movie theater in Västerbotten, filmfestival in Venice and more. Don’t miss out! Graphic design by me! ✨ 📽
Advertising for a Wolfgang Tillmans exhibition
at the Moderna Museet in Stockholm.
The exhibition Klee/Aguéli includes a logotype, an introduction wall, a reading-room, posters, printed and digital ads, and orientation signage at the museum. The exhibition took place at the Moderna Museet in spring 2016. Curator: Fredrik Liew, graphic design by me.
Art book over the work of the talented Swedish artist Carl Hammoud. Collaboration with Stefania Malmsten.
Architect Mats Egelius has built housing in Stockholm for the last four decades. This book covers his career and shows concrete examples how quality, presence and knowledge results in viable cities and great living spaces for people. Plentiful with photographs, plans and drawings. A must-have for everyone interested in architecture. Editor Dan Hallemar, graphic design by me, published by Arkitektur Förlag and printed by Göteborgstryckeriet. The book has been sought after and the second edition was printed in fall 2019. 🏬🏘✌🏼✨
A book that concludes the work of a three-year project on democracy, art and public space. The projects main focus has been on how to involve children in their everyday environment. Editor: Tobias Barenthin Lindblad, graphic design by me. Publisher: Dokument Press
We take an overall grip on design for Arkus. Logotypes, color scheme, book design, small talks, presentations, ads etc. Arkus works with research and development in architecture.
380 pages book project that concludes a three-year research project on urban studies in North America, India and China. The Royal Institute of Art is a leading art institution of higher education located in Stockholm. Editor Henrietta Palmer, graphic design by me.
Libanese artist Akram Zaatari’s exhibition involved a catalogue, printed ads, introduction wall and orientation signage at the museum. The exhibit takes places at the
Moderna Museet in Stockholm 2015. Curator: Magnus af Petersens, graphic design by me.
Exhibition Albert Einstein for his discovery of... at the Nobelmuseum in Stockholm. The typography was printed on elastic fabric wrapped around a custom-made steelframe. Additional marketing material was produced. Collaboration with Johan Cnattingius.
Stockholm Literature introduces international literature and translations in dialogue with other art. We have done all marketing material including the catalogue since the start 2013. Producer: Malin Nasiell, graphic design by me.
Israeli visual artist and writer Keren Cytter’s exhibition involved a catalogue, printed ads and introduction wall at the museum. The exhibit took place at the Moderna Museet in Stockholm. Curator: Magnus af Petersens.
Collaboration with Stefania Malmsten.
Typography and placement for a new beauty line for H&M.
A free lifestyle magazine launched in Zurich.
A book from The Royal Armoury museum that presents royal haute couture from 1900–1970. Kunglig Vintage was also done as a downloadable app. Collaboration with Stefania Malmsten.
